(((20hz))) - "blue|red: VIMS\SIMS" (Scienceworks), 2017 (((20hz))) - "Number of the Machine" with Antony Hamilton (RMIT Gallery), 2017 (((20hz))) - "libr_array" (Geelong After Dark Festival), 2017 The Intimate 8 with Moira Finucane (National Gallery of Victoria), 2017 (((20hz))) - blue|red: VIMS\SIMS, Morbis Artis Exhibition, (RMIT Gallery), 2016 (((20hz))) - "Einsturzende Neubauten's Klangbewegungmaschine", Geniale Dilletanten Exhibition (Goethe Institute/RMIT Gallery), 2016 "A series of Small Wire Objects (many of them uninteresting): Object 2", (Experimenta: Recharge, RMIT Gallery), 2014 "A series of Small Wire Objects (many of them uninteresting): Object 1" (Spare Room Gallery), 2014; Globelight Festival, (Anita Traverso Gallery), 2014 "The Audiokinetic Jukebox: Program 2", White Night (NGV, Ian Potter Gallery), 2014 "The Audiokinetic Jukebox", Liquid Architecture (Westspace), 2013 "Ophelia: Apophenia" (Spare Room Gallery, RMIT), 2012 Soundtrack for UK video installation, "Spine", (Gina Czarnecki), 2006 Soundtrack for video installation, "Transcriptions" (chor, Garry Stewart/ADT), 2005 Soundtrack for video installation, "When my Baby" (Patricia Piccinini), 2005 Soundtrack for On View Hong Kong (Sue Healey & West Kowloon Cultural District) 2017 Soundtrack for "Seven Deadly Sins" (Expressions Dance Company, QLD), 2015 Soundtrack for "On View" LIVE (Sue Healey, Danceworks, Victoria; Carriageworks NSW), 2015 Soundtrack for "On View: ICONS" (Sue Healey, Carriageworks, NSW), 2015 Soundtrack for "Child Star" (Mary Oslund Dance, Portland USA), 2011 Soundtrack for "Two Faced Bastard", (chor Gideon Obarzanek/Lucy Guerin, Chunky Move/ Melbourne International Festival), 2008 Soundtrack for "The Curiosities" (chor. Sue Healey), 2008 Soundtrack revision for "Devolution" (Sydney Festival season), 2006 Soundtrack for "Singularity", (chor Gideon Obarzanek, Chunky Move) ,2006 Soundtrack for "Devolution" (Australian Dance Theatre/film, Gina Czarnecki) , 2006 Soundtrack for "Vocabulary" (Australian Dance Theatre & Restless Dance), 2005 Soundtrack for "On" (chor, Lucy Guerin), 2005 Score and Sound Design for "The Rapture" (Finucane/Smith, Melbourne), 2017 Score and Sound Design for "The Flood" (Finucane/Smith, Xixi, China), 2016 Score & Sound Design for "Jasper Jones" (Melbourne Theatre Company), 2016 Score and Sound Design for "I call my Brothers" (Melbourne Theatre Company), 2015  Sound Design for "Walking into the Bigness" (Malthouse Theatre'Griffin Theatre), 2014 Score and Sound Design for "Ugly Mugs" (Malthouse Theatre'Griffin Theatre), 2014 Score and Sound Design for"M+M" (Melbourne Festival), October 2013 Score and Sound Design for"Menagerie" (Melbourne Theatre Company), 2013 Score and Sound Design for"The Histrionic" (Malthouse Theatre, STC), 2012 Opera "Ophelia" (Bell Shakespeare Company/Chamber Made Opera), 2011 Soundtrack/Sound Design for "Porncake" (Malthouse Theatre), 2011 Sound Design/Musical advisor for "Synchopation", 2010 Soundtrack/Sound Design for "Sappho" (Malthouse Theatre), 2010 Soundtrack for "On Air", (CIRCA), 2010 Soundtrack/Sound Design for "Madagascar"" (Melbourne Theatre Company), 2010 Soundtrack/Sound Design for "Godzone"" (Melbourne Theatre Company), 2009 Soundtrack/Sound Design for "Life is a Dream" (The Store Room), 2009 Soundtrack/Sound Design for "The Birthday Party"" (Melbourne Theatre Company), 2009 Soundtrack/Sound Design for "Poet # 7" with Martin Kay and Nick Van Cuylenburg (Daniel Schlusser Ensemble), 2009 Soundtrack/Sound Design for "Secret Bridesmaids'Business" (Playhouse Theatre), 2009 Soundtrack/Sound Design for "At First Sight" (National Institute of Performing Arts), 2009 Soundtrac k/Sound Design for "Grace" (Melbourne Theatre Company), 2009 Soundtrack/Sound Design for "Kitten" (Malthouse, Melbourne International Festival), 2008 Soundtrack/Sound Design for "Zombie State" (Melbourne Worker's Theatre) 2008 Soundtrack for opera "Antidote", 2007 Soundtrack/Sound Design for "Ghost Writer" (Melbourne Theatre Company) 2007 Soundtrack for "Not Like Beckett" (Malthouse) 2006 Soundtrack for "A Single Act", (Melbourne Theatre Company), 2006 Soundtrack for "The Dumb Show", (Melbourne Theatre Company), 2005 Soundtrack for "Boys in the Trees", feature film (dir. Nicholas Verso), 2016 Soundtrack for "Kobold", short film (dir. Nicholas Verso), 2014 Soundtrack for "The last time I saw Richard", feature film (dir. Nicholas Verso), 2013 Soundtrack for "Music of the Spheres", video art (with Richard Grant), White Night Melbourne, 2014 Soundtrack/Sound design for "On View", dance film/installation (Sue Healey), 2013 Soundtrack/Sound design for "Travels, tales and travails: The Templer Journey", 2013 Soundtrack/Sound design for "The Curiosities", dance film (Sue Healey), 2011 Soundtrack "The door, the chair, the bed and the stairs", (MIC Toi Rerehiko, Auckland, NZ), 2009 Station Idents, theme musics and Sound Design for the Showtime cable channels, 2009 Station Idents, theme musics and Sound Design for the "Showcase" cable channel, 2007 Soundtrack for "Man Made2" (dir Emma Crimmings, SBS), 2007 AACTA Best soundtrack nominee (Boys in the Trees), 2016 Film Critics Circle Best soundtrack nominee (Boys in the Trees), 2016 APRA Experimental Music Awards Finalist, 2015 Australian Dance Award, Outstanding Achievement in Film and New Media (On View) 2014 RMIT (DSC) Research award 2013 For technical innovation. RMIT Teaching award 2012 For excellence in ten years of teaching practice aligned with industry engagement Green Room Award, Best Sound Design/Soundtrack, Independent Theatre (M+M, Daniel Schlusser Ensemble) 2013 Green Room Award, Best Sound Design/Soundtrack, Independent Theatre (Poet #7, Daniel Schlusser Ensemble) 2010 Green Room Award,Best Sound Design/Soundtrack, Theatre (Memory of Water, MTC) 2005 ANZ media award, Best Collateral Material (silver) prize (for Showtime Station idents) 2008 Winner Napolidanza Italy, Reeldance Australia/New Zealand, Best Dance Film Ausdance Soundtrack to "Fine Line Terrain" (dir Sue Healey) 2003  Materialisation, emotion & attention (in print) In Transition: Journal of Videographic Film & Moving Image Studies, Verhagen, D. (2015) "Sound (image, text): Exploring audiovisual relationships in M+M". http://www.austlit.edu.au/austlit/page/9200813 Australasian Drama Studies Music and Sound in Theatre no. 67October http://www.austlit.edu.au/austlit/page/A132890 Kim Baston (editor), http://www.austlit.edu.au/austlit/page/A4562 Meredith Rogers (editor), 2015 periodical issue Verhagen, D. (2015) "Science Fiction: What's Wrong? The Sounds of Danger Versus Hearing Dangerously"  in AFI film reader: Endangering Science Fiction Film, Taylor & Francis Rassell, Redmond, Robinson, Stadler, Verhagen & Pink (2015) Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters, Inc., Making Sense of Cinema, New York, Bloomsbury McFarlane, S. Feltham, F. and Verhagen, D. 2013, 'Exploring internet CO2 emissions as an auditory display', in Proceedings of the 25th Australian Computer-Human Interaction Conference: Augmentation, Application, Innovation, Collaboration, OzCHI 2013, Haifeng Shen, Ross Smith, Jeni Paay, Paul Calder, Theodor Wyeld (ed.), Association for Computing Machinery, New York, USA, pp. 225-228 (25th Australian Computer-Human Interaction Conference: Augmentation, Application, Innovation, Collaboration, OzCHI 2013)  Verhagen, D. 2009, 'Audiovision, psy-ops and the perfect crime: Zombie agents and sound design', in Scan (Sydney): journal of media arts culture, Macquarie University, Media Department, Australia, vol. 5, no. 2, pp. 1-7 ISSN: 1449-1818